Abstract
This collection of works takes the form of a visual essay, an attempt to further explore ideas and themes found in Xine Yao’s Disaffected: The Cultural Politics of Unfeeling in Nineteenth-Century America (2021), which presents unfeeling as a method for disrupting colonialism and other oppressive hierarchies. This collection of images comprises a series of digitally rendered collages that encourage and value uncertainty and mystery. The images in this series are speculative, abstract and non-linear, created in ‘opposition to clarity’, with the intention to reflect the idea of ‘unfeeling’ by withholding or refusing easy understanding.
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