Abstract

A few literary scholars have long claimed that Shakespeare did not write some of his best plays (history plays and tragedies) and proposed at one time or another various suspect authorship candidates. Most modern-day scholars of Shakespeare have rejected this claim, arguing that strong evidence that Shakespeare wrote the plays and poems being his name appears on them as the author. This has caused and led to an ongoing scholarly academic debate for quite some long time. Stylometry is a fast-growing field often used to attribute authorship to anonymous or disputed texts. Stylometric attempts to resolve this literary puzzle have raised interesting questions over the past few years. The following paper contributes to “the Shakespeare authorship question” by using a mathematically-based methodology to examine the hypothesis that Shakespeare wrote all the disputed plays traditionally attributed to him. More specifically, the mathematically based methodology used here is based on Mean Proximity, as a linear hierarchical clustering method, and on Principal Components Analysis, as a non-hierarchical linear clustering method. It is also based, for the first time in the domain, on Self-Organizing Map U-Matrix and Voronoi Map, as non-linear clustering methods to cover the possibility that our data contains significant non-linearities. Vector Space Model (VSM) is used to convert texts into vectors in a high dimensional space. The aim of which is to compare the degrees of similarity within and between limited samples of text (the disputed plays). The various works and plays assumed to have been written by Shakespeare and possible authors notably, Sir Francis Bacon, Christopher Marlowe, John Fletcher, and Thomas Kyd, where “similarity” is defined in terms of correlation/distance coefficient measure based on the frequency of usage profiles of function words, word bi-grams, and character triple-grams. The claim that Shakespeare authored all the disputed plays traditionally attributed to him is falsified in favor of the alternative authors according to the stylistic criteria and analytic methodology used. The result of this validated analysis is empirically-based, objective, and involves replicable evidence which can be used in conjunction with existing arguments to resolve the question of whether or not Shakespeare of Stratford-upon-Avon wrote all the disputed plays traditionally attributed to him.

Highlights

  • The question of identifying the real author of the Shakespearean works is known as “Shakespeare authorship question”

  • The various works and plays assumed to have been written by Shakespeare and possible authors notably, Sir Francis Bacon, Christopher Marlowe, John Fletcher, and Thomas Kyd, where “similarity” is defined in terms of correlation/distance coefficient measure based on the frequency of usage profiles of function words, word bi-grams, and character triple-grams

  • Authorship attribution has historically been part of the more general field of stylometry, whose aim is to augment the qualitative methods used in traditional philology and literary criticism for the study of text with theoretical tools and methodologies drawn on the one hand from linguistics and on the other from mathematics and statistics

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Summary

Introduction

The question of identifying the real author of the Shakespearean works is known as “Shakespeare authorship question”. That evidence shows only that his career is a businessman and real-estate landlord, and this means that there is no explicit evidence in Shakespeare’s life connecting him to any of the plays and sonnets attributed to him The existence of such reasons suggested the possibility of alternative authors for the true authorship of Shakespeare’s works. (1) The historical record of Shakespeare attests to the fact that Shakespeare authored 38 plays, 154 sonnets, and 5 poems These works bear Shakespeare’s name which had explicit evidence and historical validity from Shakespeare’s own time. Establishing the case for either side of the authorship debate using traditional or literary stylistic analysis is beyond the scope of this paper, and we leave this task to the literary scholars or critics to use their own methods to see whether or not Shakespeare wrote all the plays traditionally attributed to him.

Authorship Attribution
Stylometry
Previous Stylometric Works on the Shakespeare Authorship Question
Corpus
Bacon from the tower of London pleads for mercy with King James
Stylistic Criteria
Data Representation and Vector Space Model
Dimensionality Reduction
Text Length Normalization
Cluster Analysis Methods
The Attributional Analyses
Interpretation
Conclusions and Further Research

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