Abstract
Abstract: This essay draws upon Namita Goswami’s 2019 book Subjects That Matter: Philosophy, Feminism, and Postcolonial Theory for the insights she brings to an ethics of archival encounters, particularly regarding the files of those whose only record is their judgment and/or objectification by existing dominant institutions. First, I briefly summarize some key insights, with attention to Goswami’s careful exegesis of Spivak. In the next section, I consider these postcolonial feminist questions about infamous women in conjunction with Saidiya Hartman’s 2008 essay “Venus in Two Acts,” and in the third section, I explore the resonances of Goswami’s book with Hartman’s Wayward Lives, Beautiful Experiments , a text also published in 2019 that shares Goswami’s commitment to the heterogeneous complexity of lives that overflow their often-dismissive records. In conclusion, I suggest some alternative formulations of subjectivity and agency suggested by this line of inquiry between Goswami and Hartman.
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