Abstract
AbstractUsing archival sources, film reviews, interviews, secondary sources and movies, this article examines a Polish nationalist-communist school of directors who supported the Communist Party regime in constructing a new ethos, which consisted of ethnocentric nationalism and authoritarian nation state ideology. It demonstrates how the party state tried to legitimise itself by endorsing popular culture, specifically mainstream cinema. It also argues that National Communism inevitably led to the nationalist-authoritarian fusion, which set up the conditions for a pluralist and polyphonic realm, outside, but also within the ruling camp.
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