Abstract

Abstract Chapter 3 reads the images of heroic bodies in the book of Judges on a number of levels, organized around an argument by the anthropologist Mary Douglas: “the social body constrains the way the physical body is perceived.” The two bodies cannot help but be connected, and the “forms it adopts in movement and repose express social pressures in manifold ways.” The ambiguous and severed bodies in Judges serve not merely as entertainment but rather as communicators of social disorder and political strife. Specific analysis focuses on the mutilation of Adoni-Bezek, the bodily confrontation between Ehud and Eglon, Jael’s killing of Sisera, Samson’s hair, and the dismemberment of an unnamed woman.

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