Heritage Studies and Islam: A Crisis of Representation

Abstract

It is perhaps not surprising that discussions on the topic of destruction gain the most traction in the work of heritage in public and academic discourses alike, since this is an instrumental part of the epistemology that constructs heritage as a subject of study—what is heritage if not a subject “at risk”? Concordantly, discussions of heritage destruction are a dominant theme in contemporary conversations and concerns for the fate and management of cultural heritage in the Middle East overall (i.e. Exell and Rico 2013), a tendency that is associated with the persistence and visibility of conflict in the region during a time when heritage concerns are significantly shaped by various global “observers.” What is problematic, however, is first the way that the inherently negative mantle of destruction dominateseveryconversation about the heritage of the Middle East, and how easily academic debates have incorporated institutional and public discourses about destruction, empowering a monolithic debate that would benefit from a more critical—and ethical—analysis. Secondly, what is also alarming is the degree to which destruction is often associated with specific perpetrators in this region, notably, a caricaturized Islam whose main feature is a dislike for preservation that articulates through scandalous acts of iconoclasm across the broad Middle East region (witnessed through highly circulated vignettes of destruction in Afghanistan, Iraq, Syria, Egypt, Mali, and other countries and regions). Yet, the representation of an Islam that is at odds with global heritage constructs has been extensively challenged academically, considering the varied and changing attitudes to non-Muslim forms of representation through time (Elias 2012), individual variations (Flood 2002), and their relationship to changes in political regimes (Elias 2007; Flood 2002), in such a way that a consistent or universal attitude to this type of representation cannot be supported. But, as I argue in this essay, the specter of the iconoclast unfortunately remains firmly established in popular discourse—and surprisingly, in some disciplinary discourses. But what happens outside of the realm of destruction in the heritage of the Middle East? Further, how can heritage studies support the integration of Islam in the heritage debates for the region in a way that circumvents the current misrepresentation?