Abstract

The present paper explores domestic devotional practices in Ragusa (modern day Dubrovnik) from the late-thirteenth through the fourteenth and fifteenth centuries. Considering that important advancements in the understanding of domestic devotions in major Mediterranean cities have recently been made—particularly in Venice—the scrutiny of Ragusan sources enables further reflections on the same phenomena in minor Adriatic centres. Considering the paucity of preserved objects, and the fact that no late medieval domestic space of that time has survived in Dubrovnik, one must turn to archival sources to answer questions pertaining to the arrangements and uses of spaces of domestic worship. Three aspects are analysed here: privately owned chapels—adjoined to the dwellings of urban nobility, prayer areas and holy images inside the houses, and relics in the possession of individuals. In light of its source-driven approach, a significant part of this paper is devoted to the issue of the terminology of devotional props in contemporary documents. On a more general level, the paper aims at showing how, although no direct evidence of domestic devotional practices survives (such as in-depth textual evidence), all indications suggest that it was a deeply family-centred matter. Accordingly, particular attention is paid to the city’s most prominent families, such as Volcassio, Volzio and Sorgo. Finally, the evidence presented in this paper, gathered from both published and unpublished sources, offers valuable material for reflections on the spatial arrangements of domestic devotional spaces, not necessarily confined to the members of a single household, but, through hereditary rights, tied to specific lineages.

Highlights

  • Valuable advancements have recently been made in the understanding of domestic devotion, both in terms of the wide variety of holy objects in homely settings, and their use in devotions (Kasl 2004; Webb 2005; Cooper 2006; Nalle 2008; Kolpacoff Deane 2013; Baldissin Molli et al 2018)

  • Initial endeavours aimed at investigating more expected forms of domestic devotion, such as the construction of household chapels and domestic altars, yet the complexity of scrutinising these aspects of medieval homes lies in the fact that a range of objects in everyday use could have possessed religious qualities (Musacchio 2000; Morgan 2017, pp. 215–18; Howard et al 2017)

  • Sources relating to this topic regarding Venice (Morse 2007, 2013a), have painted a rich picture of the influx of religion in the city’s case, pointing to the multifaceted range of devotional props of various iconographies and settings (Morse 2007, p. 184)

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Summary

Introduction

Valuable advancements have recently been made in the understanding of domestic devotion, both in terms of the wide variety of holy objects in homely settings, and their use in devotions (Kasl 2004; Webb 2005; Cooper 2006; Nalle 2008; Kolpacoff Deane 2013; Baldissin Molli et al 2018). Sources relating to this topic regarding Venice (Morse 2007, 2013a), have painted a rich picture of the influx of religion in the city’s case, pointing to the multifaceted range of devotional props of various iconographies and settings Dubrovnik through the examination of sources on the appearances and audiences of domestic chapels and household shrines—key places of everyday spiritual life

Freestanding Chapels of Private Foundations and Their Domestic Setting
Empora
Indoor Domestic Spaces and Holy Images
Privately Owned Relics
Conclusions
Full Text
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