Abstract
Lars von Trier's Melancholia (2011) is paints a mise-en-scene which draws the spectator into a feminine sensibility which illuminates how, paradoixcally, human life is not central to the planet, nor is human existence anything other than precarious, passing and therefore beautiful: James Lovelock meets Deleuze meets Kant's third critique meets metaphaphyiiscal poetry meets Charlotte Gainsbourgh and Kirsten Dunst.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
