Abstract
This article probes the validity of the center-periphery relation as a model for studying postwar artistic exchange within the idiom of geometric abstraction. Focusing on Polish artist Henryk Stażewski’s later work, the essay reflects on the complex temporal relationship between the avant-garde and the neo avant-garde in the context of transnationalism, exploring the potential of viewing US art through the eyes of a non-American artist.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have