Abstract
This essay situates Henry James in relation to the sublime as an aesthetic category that unites the broader Romantic-Modern Tradition. Through readings of The Portrait of a Lady , the Notebooks, the prefaces to the New York Edition, The American Scene , and The Golden Bowl , the author links James to a range of Romantic and Modernist visionary poets, philosophers, and critics including Milton, Keats, Yeats, Burke, Kant, Pater, Hartman, and Said.
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More From: Arizona Quarterly: A Journal of American Literature, Culture, and Theory
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