Abstract
This essay situates Henry James in relation to the sublime as an aesthetic category that unites the broader Romantic-Modern Tradition. Through readings of The Portrait of a Lady , the Notebooks, the prefaces to the New York Edition, The American Scene , and The Golden Bowl , the author links James to a range of Romantic and Modernist visionary poets, philosophers, and critics including Milton, Keats, Yeats, Burke, Kant, Pater, Hartman, and Said.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: Arizona Quarterly: A Journal of American Literature, Culture, and Theory
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
