Abstract
The article examines Henri Labrouste's Bibliothèque Sainte‐Geneviève in Paris (1839–52), in terms usually reserved to describe romantic literature. Using Victor Hugo's Notre‐Dame de Paris as a guiding example, the authors argue that Labrouste's appeal to the real and the rational – as opposed to the ‘eternal truths’ of academic conventions – is a rhetorical strategy developed to prise open a broader range of fictional possibilities for architecture. Through an analysis of the experience of the building as a whole that takes into account the key elements of its spaces, design and decoration, the Sainte‐Geneviève library is shown to partake in a vision of knowledge comparable to that proposed in Notre‐Dame de Paris, using alchemy as a paradigmatic model of the romantic search for truth.
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