Abstract

Although the literature indicates that students in mental health professions start to form their professional identity and competence in graduate school, there are few studies on the in-training experience of creative arts therapies students. This mixed methods study examined how five first-year students in a psychodrama master’s degree program in Israel experienced their field training, with the aim of identifying the factors likely to promote or hinder the development of their professional identity and sense of professional ability. Longitudinal data were collected weekly throughout the 20-week field training experience. The students reported qualitatively on helpful and hindering factors and were assessed quantitatively on questionnaires measuring professional identity, perceived demands-abilities fit, client involvement, and therapy session evaluations. A thematic analysis of the students’ reports indicated that a clear and defined setting and structure, observing the instructor as a role model, actively leading parts of the session, and observing fellow students were all helpful factors. The hindering factors included role confusion, issues related to coping with client resistance and disciplinary problems, as well as school end-of-year activities that disrupted the continuity of therapy. The quantitative results indicated that students’ professional identity did not significantly change over the year, whereas a U-shaped curve trajectory characterized the changes in demands-abilities fit and other measures. Students began their field training with an overstated sense of ability that soon declined and later increased. These findings provide indications of which helping and hindering factors should be maximized and minimized, to enhance students’ field training.

Highlights

  • Studies on the in-training experience of creative arts therapies (CAT) students are rare compared to those on student training in other healthcare professions

  • The current study focused on a sub-domain of personenvironment fit called the demands-abilities fit (D-A fit), which refers to the competence-related congruence between field training demands and student abilities as psychodramatists in training

  • The results showed that students’ professional identity was significantly and positively correlated with students’ perceived client involvement (B = 0.11, t = 2.36, p = 0.02), students’ general evaluation of sessions (SEQ-session; B = 0.04, t = 3.46, p < 0.001), and students’ mood during sessions (SEQ-mood; B = 0.03, t = 2.60, p = 0.01)

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Summary

Introduction

Studies on the in-training experience of creative arts therapies (CAT) students are rare compared to those on student training in other healthcare professions. This is unfortunate since these studies can provide educators with valuable insights into student in-training needs and processes. The present longitudinal mixed methods study examined how five first-year students in a psychodrama master’s degree program in Israel experienced their first year of field training to pinpoint the factors. According to Orkibi, students in the Beginning Student phase (first year of a 2-year Master’s degree program) were mainly concerned with translating theory into practice, learning in a prescriptive and concrete way how experienced therapists practice, and reducing cognitive dissonance upon realization that their pre-training lay conceptions of helping were no longer valid. Stress and anxiety tended to prompt these students to adopt mastered techniques to implement in the practicum, and supervision was identified as the primary source of influence in this phase

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