Abstract

Abstract This paper engages with the literature of the Biśnoī Sampradāya, a religious tradition that emerged in the fifteenth century in Rajasthan and traces itself back to the Sant Jāmbhojī. The paper specifically examines a composition of the sixteenth-seventeenth century poet-saint and head of the tradition Vīlhojī. His Kathā Gyāncarī is a unique composition among the corpus of Biśnoi literature with regard to its genre, style and content. The text revolves around the consequences of one’s actions after death, particularly punishment in hell. This paper aims to illustrate that the Kathā Gyāncarī depicts suffering in hell as the eternal consequence of committing sins or crimes, which is unique not only for Biśnoī literature, but for Sant literature in general. It argues that the depiction of hell as eternal punishment was used as a rhetorical strategy at a time the Biśnoī Sampradāya faced intense difficulties. In another vein, this depiction of hell could indicate the Biśnoīs’ close connection to the Indian Shi’a community of the Nizārī Ismā’īlīs. This is reflected not only in the Kathā Gyāncarī’s function of hell as a eternal punishment for disbelievers and sinners, but also in the soteriological role of the teacher or guru as well as in the appearance of various Nizārī figures and motives in the text. In either way picturing hell as eternal suffering serves to amplify the authority of the Biśnoī teachers and the supremacy of the Biśnoī religious doctrine.

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