Abstract
Helene Ibata nous invite a relire la Recherche philosophique d’Edmund Burke afin d’en evaluer la portee au-dela du xviiie siecle, jusqu’au cœur du romantisme britannique. S’appuyant sur les etudes burkiennes les plus recentes, elle formule une proposition originale, celle d’une influence directe du sublime sur les artistes visuels. A rebours des analyses qui, dans le sillage de Burke lui-meme, pretendent que le sublime burkien exclut la peinture, l’auteure envisage comment la publication de c...
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