Abstract
Hedda Friberg-Harnesk sheds new light on the fiction of John Banville thanks to an original theoretical frame: her perceptive use of Baudrillard’s orders of simulacra engages the reader in a stimulating critical conversation with the unstable and uncertain worlds and beings of Banvillean fiction. She explores nine of John Banville’s works published between 1997 and 2015, seven novels (The Untouchable, Eclipse, Shroud, The Sea, The Infinities, Ancient Light, and The Blue Guitar) and two plays ...
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