Abstract
The idea of what has been termed an Ulster Renaissance to refer to the surge of new poetry in the North of Ireland in the late 1960s and 1970s together with what is known as the Belfast Group is often dismissed by the poets themselves and serious critics as a mere shorthand and inaccurate way to describe the vitality of that decade. Heather Clark’s study, originally a PhD dissertation, challenges this and argues for the significant impact of Hobsbaum’s group, later Heaney’s group, as well as ...
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