Abstract
This essay is an attempt to fathom the performative and textual potential of historical sound recordings from the Lautarchiv in Berlin, along the available written files and a particular set of acoustic files spoken by an isiXhosa speaker. Read and listened to together, these files document the event and rationale of the recordings of the Phonographische Kommission with a man from the Eastern Cape, who was recorded while being interned as a foreign subject, in a German camp for British civilians in World War I. Following the acousmatic voice that speaks on several recordings, the essay explores the position of the speaker and the enunciation that speaks of the experience of war and displacement, and the complexities of audible traces of imperial knowledge production.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
