Abstract
AbstractI examine here an arresting and poorly understood pair of fragments (Phld. Mus. 4.34.2-8, 115.26-35) in which the Stoic Diogenes of Babylon refers to ‘scientific sense perception’ (ἐπιστηµονικὴ αἴσθησις). Previous studies of this phrase have focussed on its attribution by Sextus Empiricus to Plato’s nephew, Speusippus. But Sextus is likely mistaken in crediting the phrase to the Academy. I argue that ‘scientific sense perception’ is best interpreted as Diogenes’ contribution to Stoic epistemology in an effort to defend the ἦθος theory of musical affect against attacks from its detractors. By identifying a hitherto unnoticed reference to Aristoxenus of Tarentum, I show that Diogenes used ἐπιστηµονικὴ αἴσθησις to give ἦθος theory new intellectual viability in the Hellenistic schools. Using the concept of ‘scientific sense perception’, the Stoic could have supported the claim that those trained in harmonic science may directly perceive ethical and emotional content even in wordless music.
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