Abstract
ABSTRACT A visionary, if controversial, queer director, Bruce LaBruce is known for his ambiguous films. L.A. Zombie, LaBruce’s second feature-length pornographic zombie film, serves as one such example. The purpose of this article is to investigate the source of this ambiguity. In particular, the article will highlight L.A. Zombie’s ability to depathologize gay men and gay sex whilst simultaneously further pathologizing them. In concluding the article, the implications of this ambiguity will be discussed.
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