Abstract
This essay is an epistemological interrogation and should be read as one possible approach among others to H.D.’s poetic experiment in Trilogy . It argues that the empiricist tradition provides us with a series of concepts that may help us make sense of the poem, or, rather, understand a little better how the poem makes sense. In this respect, H.D.’s numerous polytheistic mythological allusions can be problematized as being at the service of a philosophy of the human subject, not considered as a fixed, alienated entity, but as a constantly evolving multiplicity whose main activity is to construct new relations or syntheses, thereby endlessly constructing itself in the process.
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