Hazardous Aesthetics: A “Merely Interesting” Toxic Tour of Waste Management Data

Abstract

This illustrated essay attempts to respond to the slow violence of the hazardous waste trade. We introduce and analyze common representational styles of hazardous waste: greenwashing, ruin porn, environmental justice toxic tours, and Ngai’s concept of the merely interesting. We argue that the first two styles tend to reproduce the status quo, but that the latter two are potentially more disruptive. We then turn to a data set about the transnational hazardous waste trade in North America to argue for and produce alternative representations of this waste, literally drawing from the data and figuratively drawing inspiration from toxic tours and the merely interesting. Our intervention is thus visual as well as conceptual: We argue against status quo representations of hazardous waste and then discuss and produce alternatives based on a novel data set we created.