Abstract

AbstractDichotomous categories, such asthe Westandthe rest,primitiveandmodern, are discussed within a phenomenological theory that suggests humans create structures through which we perceive objects. The perception ofcultureas an object and its construction through the epistemological practices of fieldwork and interpretation within the metaphor ofWestandnon‐Westernreveals the structure of sociocultural anthropological inquiry and expresses embodiment of the cosmology of nations. Experiences of, and shared understandings regarding, the body, soul, knowledge, thoughts, emotions, memories, spirits, voice, and speech are compared from descriptions, participant observation, and embodiment as a multi‐site ethnographic performance artist expressing new genres of ethnography.Harmonyis defined as social location.

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