Abstract
This chapter places Queen within the network of the principal rock labels of the 1970s. Extending the work of classical and popular music analysts, a distinction is drawn between style and genre, as pertaining to replicated musical patterns and the cultural meanings afforded by such patterns, respectively. With this distinction in place, Queen’s 1970s outputs are analysed in relation to the style and genre conventions of hard rock, glam rock, and progressive rock. It is demonstrated that the band engaged the style conventions of the former and latter labels, but were positioned closer to glam rock in genre terms. This is evident through their subversive exaggerated articulation of hard and progressive rock style traits, with ‘Bohemian Rhapsody’ encapsulating this relationship.
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