Abstract
ACKNOWLEDGMENTS PREFACE INTRODUCTION: MAKING CLASS VISIBLE TO FILM AND CULTURAL STUDIES Part One: Hard Hats and Movie Brats 1. Class and the Youth-Cult Cycle Part Two: Rednecks and Good Ole Boys: The Rise of the Southern 2. Deliverance: An Allegory of the Sunbelt 3. Keep On Truckin': The Southern Cycle and the Invention of the Good Ole Boy Part Three: Macho Men and the New Nightlife Film 4. Saturday Night Fever and the Queering of the White, Working-Class Male Body 5. Extra Masculinity: Looking for (and Cruising) the White, Working-Class Male Body CONCLUSION: WORKING-CLASS SOLIDARITY AND ITS OTHERS AFTERWORD: HARD HATS REVISITED: THE LABOR OF 9/11 ENDNOTES WORKS CITED INDEX
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