Abstract
Harag directed the American musical about Anne Frank as the leader of the brand-new young theatre ensemble of Nagybánya. The show, adapted by the co-authors Goodrich and Hackett, and performed on Broadway to great acclaim, is presented in multiple countries. György Harag defines the work as a ‘true story’ on its poster, various others refer to it as a documentary drama. I analyse the performance with the Philther method.
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