Abstract

This paper argues that Han Urs von Balthasar’s work contains a thorough critique of nationalism that is rooted in theological categories. First, it examines the bases of this critique in Balthasar’s theology of history and in his thought on biblical Israel. Then, it outlines four categories of actors included in Balthasar’s notion of a theological drama: Christ, the individual, humanity, and the Church. Both implicitly and explicitly, these four categories displace the nation from the realm of theologically-significant history. Thus, the paper contends, there is a clear and compelling theological rejection of nationalistic ideology running throughout key aspects of Balthasar’s thought.

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