Abstract

Samuel Beckett and the Theatre of Witness: Pain in Postwar Francophone Drama examines the role of pain in Beckett’s works and those of several post-war francophone authors, arguing that these texts figure the act of witnessing as a central problematic of dramatic depictions of pain in this era.

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call