Abstract
The present article investigated the problem of actualization of poetic ekphrasis presented in two different semiotic systems. The paper studied the correlation of generalized meaning with differing forms of expression, known as cases of isomorphism and allomorphism. The empirical material under study was provided by the contrastive analysis of the interface of one of Y. Polonskyi’s poems (1845) and N. Roerih’s original picture (1945). The contrastive pair of examples had the same titles: ‘Bede, the Preacher’. The two cases were also united by identical semantics providing similar notional and emotional-aesthetic impact upon recipients, with the help of different forms of expression from poetry and painting. Both examples, in their turn, date back to the ancient legend connected with the name of the real person who lived in the seven (eight) centuries and was known as Saint Bede. The article’s aim was to reopen the enigma of identical strong emotional effect produced on recipients, at different times, with the help of two differing media forms: the poem and the picture. It actually created the evident research gap. Such cases had been studied before, but reliable explanations and technologies were not stated.
Highlights
The present article investigated the problem of actualization of poetic ekphrasis presented in two different semiotic systems
His most known work was: ‘Ecclesiastical History of the English People’ (Bede 2019) which was later translated into many languages
In some deserted forest, This article was written on the eve of one hundred forty five anniversary since the date of the birth of the well-known Russian painter: Nikolay Roerih led by one of his disciples, Bede, unaware that no people came to listen, unconsciously, addressed his passionate sermon to the waves of the river
Summary
Tyumen State University Abstract- The present article investigated the problem of actualization of poetic ekphrasis presented in two different semiotic systems. The two cases were united by identical semantics providing similar notional and emotional-aesthetic impact upon recipients, with the help of different forms of expression from poetry and painting. Both examples, in their turn, date back to the ancient legend connected with the name of the real person who lived in the seven (eight) centuries and was known as Saint Bede. The article’s aim was to reopen the enigma of identical strong emotional effect produced on recipients, at different times, with the help of two differing media forms: the poem and the picture As per the compliance and regulations of: Global Journal of Human Social Science ( A ) Volume XX Issue XIII Version I Year 2020
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