Handcraft as urban intervention: In recognition of the Rochester Ladies’ Anti-Slavery Sewing Society

Abstract

In 1851, in Rochester, New York, a group of nineteen women banded together as the founding members of an anti-slavery group in order to support the work of the abolitionist, writer, orator and newspaper publisher, Frederick Douglass. They were the benefactors of Frederick Douglass, himself regarded as the founder of the twentieth-century Civil Rights movement. They called themselves the Rochester Ladies’ Anti-Slavery Sewing Society, although they dropped ‘Sewing’ from their group’s name in 1855. Yet the fact that ‘Sewing’ was included in the original name of this reformist group indicates the foundational role of craft not only as a guiding activity, but also as a key activist mechanism to abolish the institution of slavery. This article explains how a contemporary craft intervention in downtown Rochester, New York, involving 400 swatches contributed from across the United States, sought to honour and reclaim the history of this social-reformist group, at Corinthian Hall, the physical location where they held their abolitionist fundraising bazaars in the nineteenth century. That building is now a parking lot in the heart of central Rochester. Ultimately, yarn is argued to be a social-action tool to help reverse historic erasure in a crowded urban environment.