Abstract

The Passiones of Juliana of Nicomedia (BHG 962z), Juliana and Paul (BHG 964) and Marina (BHG 965) contain a long and interrelated demonological passage which betrays the influence of the Vita of Anthony and the Quaestiones of Bartholomew; in the first and third texts the depiction of Satanael apparently goes back via the above mentioned apocryphal work to Jewish and Gnostic traditions.

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