Abstract

espanolLos primeros estudios criticos sobre las directrices del teatro espanol del siglo XXI coinciden en la existencia de una escritura dramatica joven con propuestas suficientemente especificas como para hablar de una vision novedosa en el panorama teatral actual. Se trata de una nueva generacion en la que el papel cualitativo y cuantitativo de las dramaturgas se considera indiscutible. Entre sus caracteristicas destaca el retorno a la mirada social y comprometida del teatro. Asi, a partir de la revision de los posicionamientos criticos sobre esta cuestion, el objetivo del presente estudio es mostrar cual es la postura al respecto de la dramaturga Lola Blasco a traves de sus testimonios sobre su teatro politico. EnglishThe first critical studies on the guidelines of the Spanish theater of the 21st century coincide in the existence of a young dramatic writing with sufficiently specific proposals to talk about a new vision in the current theatrical panorama. It is a new generation in which the qualitative and quantitative role of dramatists is considered indisputable. Among its features highlights the return to the social and committed look of the theater. Thus, from the review of the critical positions about this issue, the objective of the present study is to show what is the position on the subject of the playwright Lola Blasco through her testimonies about her political theater.

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