Habitus, Ngêng, dan Estetika Bunyi Mlèsèt dan Nggandhul pada Karawitan

Abstract

<p><span lang="IN">The paper explains about <em>mlèsèt</em> and <em>nggandhul</em> phenomena in the Javanese <em>Karawitan</em> in the perspective of Piere Bourdieu’s sociology of arts. The datas were collected through interviews with <em>pengrawit</em>,or gamelan players, and observation of gamelan played during the performance of Yogyakarta <em>wayang</em>.</span></p><p><span lang="IN">The research shows that <em>mlèsèt</em> and <em>nggandhul</em> aresound aesthetics for the listeners and habitus of the gamelan players. Therefore, a gamelan player should possess his ngêng in order to precisely play the correct rhythm of <em>mlèsèt</em> and <em>nggandhul</em>.</span></p>