Abstract
L'utilisation comparee des techniques de distanciation historique et politique a l'egard du passe dans les recits de Grass et Ōe met en evidence un souci identique de demystification des regimes autoritaires (nazisme/systeme imperial) a travers l'effet d'alienation comme variante de la defamiliarisation brechtienne, le grotesque des narrateurs indignes de confiance et la parodie des formes litteraires traditionnelles (Bildungsroman/shishōsetsu)
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