Abstract
Abstract Through a close textual analysis of Dolor y Gloria (dir. Pedro Almodóvar 2019), Todos lo Saben (dir. Asghar Farhadi 2018), and cross-media promotions, this article argues that through costuming, facial hair, and the body, Antonio Banderas and Javier Bardem offer intersecting, but diverging performances of visibly ageing masculinity. On screen, the spectator is offered sensitive and emotional explorations of Spanish masculine identities that represent Banderas and Bardem as men forced to sacrifice those they love. Conversely, off screen in editorial photography and on the red carpet, their star-celebrity representations are characterized by flux and difference. Bardem's persona offers an aspirational representation of heteronormative stability, whereas Banderas’ image is dominated by instability, playfulness, and striving to retain his youthful sex appeal.
Sign-in/Register to access full text options 
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
