Abstract
ABSTRACTNathan Ausubel (1898–1986) achieved unprecedented popularity as a compiler and translator of Jewish folklore during the 1940s and 1950s. Beneath the inspiring stories and charming sayings was a leftist ideologue preoccupied with the demise of Jewish life in Europe and the loss of Jewish identity to capitalist forces in the United States. Ausubel's agenda is elucidated in his polemical essays, which advocate using folklore as a means of bolstering Jewish pride and solidarity. Part of his strategy involved exaggerating the influence of Jewish culture on famous non-Jews, including Bach, Beethoven, and Schubert. This article examines these dubious musical claims and how they furthered Ausubel's activist agenda.
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