Abstract
Representations of sleep in Middle English secular literature have received little critical attention. Literary sleep in Middle English literature, such as the works of the Gawain -poet, Malory, and Chaucer, can be read productively alongside instructions about sleep in courtesy books and dietaries, and in the light of Galenic medical understandings of sleep. Literary sleep, both physical and metaphorical, often operates as an ethical discourse in late medieval secular literature, especially romance. This medieval mode of thought is one that had a certain insular specificity, and that continued to be influential in early modern literature. For Shakespeare’s Macbeth and Richard III , as for Sir Gawain and the Green Knight , unconsciousness, whether achieved or attempted, bodies forth an ethical truth.
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