Abstract
Gregg Deal (Pyramid Lake Paiute) is a performance and visual artist whose work deals explicitly in decolonizing the contemporary experience of Indigenous peoples. An analysis of his performance ofWhite Indian in 2016 at the Denver Art Museum opens up the possibilities of performance as a method for museums to decolonize their spaces and curation.
Highlights
About the Author Christiana Molldrem Harkulich is a Visiting Assistant Professor of Theatre History at Miami University of Ohio where she teaches courses on Contemporary Indigenous Plays, Dramaturgy, and Performance Theory
Gregg Deal (Pyramid Lake Paiute) is a performance and visual artist whose work deals explicitly in decolonizing the contemporary experience of Indigenous peoples. An analysis of his performance of White Indian in 2016 at the Denver Art Museum opens the possibilities of performance as a method for museums to decolonize their spaces and curation
Her research focuses on the decolonial possibilities of Indigenous performance for mixed audiences
Summary
About the Author Christiana Molldrem Harkulich is a Visiting Assistant Professor of Theatre History at Miami University of Ohio where she teaches courses on Contemporary Indigenous Plays, Dramaturgy, and Performance Theory. Gregg Deal (Pyramid Lake Paiute) is a performance and visual artist whose work deals explicitly in decolonizing the contemporary experience of Indigenous peoples.
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