Abstract

Gregg Deal (Pyramid Lake Paiute) is a performance and visual artist whose work deals explicitly in decolonizing the contemporary experience of Indigenous peoples. An analysis of his performance ofWhite Indian in 2016 at the Denver Art Museum opens up the possibilities of performance as a method for museums to decolonize their spaces and curation.

Highlights

  • About the Author Christiana Molldrem Harkulich is a Visiting Assistant Professor of Theatre History at Miami University of Ohio where she teaches courses on Contemporary Indigenous Plays, Dramaturgy, and Performance Theory

  • Gregg Deal (Pyramid Lake Paiute) is a performance and visual artist whose work deals explicitly in decolonizing the contemporary experience of Indigenous peoples. An analysis of his performance of White Indian in 2016 at the Denver Art Museum opens the possibilities of performance as a method for museums to decolonize their spaces and curation

  • Her research focuses on the decolonial possibilities of Indigenous performance for mixed audiences

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Summary

Introduction

About the Author Christiana Molldrem Harkulich is a Visiting Assistant Professor of Theatre History at Miami University of Ohio where she teaches courses on Contemporary Indigenous Plays, Dramaturgy, and Performance Theory. Gregg Deal (Pyramid Lake Paiute) is a performance and visual artist whose work deals explicitly in decolonizing the contemporary experience of Indigenous peoples.

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