Abstract

This paper critically examines the concept of “green resilience” – the mobilization of gardens and urban green spaces for enhancing the resilience of communities and cities in the face of increasing uncertainty and risk. Drawing inspiration from seminal work in human-plant geographies, it explores the governmental functions and political implications of green resilience, arguing that these spaces serve as key forms of state rule and biopolitical power.The study employs the notion of green resilience as a “composition,” emphasizing the assembling of diverse human and nonhuman actors in resilience projects. The developed compositional ontology highlights the importance of aesthetic and visual practices in green resilience projects and reveals how these are continuously decomposed and recomposed by the involved actors.The paper develops its arguments through a “paradigmatic case study” of various green resilience projects in New York City – including survivor trees, memorial groves, and community gardens. The study illuminates the multiplicity of green resilience initiatives and the underlying governmental logic by comparing these projects. Through its analysis, the paper contributes to the literature on resilience as an emerging governance paradigm. It reveals how green resilience projects embody a multiplicity of practices, uncovers the first comprehensive comparative analysis of various forms of green resilience, and offers a critique of resilience from within. The study concludes by identifying three tensions or contradictions of (green) resilience as a form of biopolitical government: visibility and invisibility, knowledge and ignorance, and control and emergence.

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