Abstract

According to the prevailing scholarly opinion, Geometric bronze animal figurines found at Olympia represent cattle and horses which were put under the protection of the divinity in this form. This view is challenged here for various reasons including literary testimony and comparisons with contemporary shrines containing similar dedications (especially Kato Syme on Crete). This paper argues that the bovines depicted were feral, and the figurines were offered by foreign aristocrats visiting the sanctuary especially for the sake of hunting these animals. Similarly, the horse figurines are interpreted as depicting feral equines, which were presumably captured and taken away by the visitors. After examining the cultic regulations related to the Olympic Games (timing, crowns, exclusion of married women and the penteteric periodicity), it is suggested that excessive hunting led to the extinction of some game animals and thus to a radical shift in the cult practice and ultimately resulted in the introduction of athletic events, i.e., in the Olympic Games.

Highlights

  • There seems to be no connection between animals and the Olympic Games

  • “aristocrats” of a wide region became fond of visiting Olympia regularly and why did they develop the strange habit of dedicating among other things small animal figurines at this particular sanctuary, so far away from their home?

  • According to the hypothesis presented here, wild or feral cows represented a special attraction of the region surrounding Olympia and may explain the early popularity of the sanctuary

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Summary

Introduction

Contrary to the impressive Greek Geometric tripod cauldrons, animal figurines of the same period have never been connected with the Games, they were treated instead, e.g., by Taita (2009) and Sinn (2010) as an isolated group of dedications, clearly attesting that the sanctuary was not a centre for athletic contests from the very beginning of its existence. While this conclusion is most probably correct, I will try to show that the animal figurines can reveal the real origins of the Games. Some archaeological and ethnographic parallels will be adduced to corroborate this reconstruction, along with the examination of cultic regulations related to the Olympic Games

Statistical Information
Dedicators
The Depicted Animals
Skarabäen
The Origin of the Olympic Games
From Hunting to Athletics
Conclusions
Full Text
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