Abstract
AbstractThe cover picture shows one of the six paintings of Marriage á‐la‐mode (© National Gallery, London) created by William Hogarth in 1743–1745 and portrays a pointed skewering of upper‐class 18th century society. This moralistic warning shows the disastrous results of an ill‐considered marriage for money. However, the authors of this Microreview demonstrate that the marriage of convenience between the Ugi reaction and the norbornenyl scaffold is not to be blamed. Details are presented in the Microreview by A. Basso et al. on p. 1831 ff.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
