Abstract

Individuals with grapheme-color synesthesia experience idiosyncratic colors when viewing achromatic letters or digits. Despite large individual differences in grapheme-color association, synesthetes tend to associate graphemes sharing a perceptual feature with similar synesthetic colors. Sound has been suggested as one such feature. In the present study, we investigated whether graphemes of which representative phonemes have similar phonetic features tend to be associated with analogous synesthetic colors. We tested five Korean multilingual synesthetes on a color-matching task using graphemes from Korean, English, and Japanese orthography. We then compared the similarity of synesthetic colors induced by those characters sharing a phonetic feature. Results showed that graphemes associated with the same phonetic feature tend to induce synesthetic color in both within- and cross-script analyses. Moreover, this tendency was consistent for graphemes that are not transliterable into each other as well as graphemes that are. These results suggest that it is the perceptual—i.e., phonetic—properties associated with graphemes, not just conceptual associations such as transliteration, that determine synesthetic color.

Highlights

  • Individuals with grapheme-color synesthesia experience “colors” when viewing achromatic letters or digits

  • The results from the color variation index (CVI) analyses on within-script pairs reassured us that characters belonging to the same phonetic category tended to take on similar synesthetic colors

  • This result indicates that graphemes sharing phonetic features within a language tend to induce similar synesthetic colors

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Summary

Introduction

Individuals with grapheme-color synesthesia experience “colors” when viewing achromatic letters or digits. The large individual differences in grapheme-color associations have long been considered a key characteristic in synesthesia. It has been recognized that there may be potential regularities of synesthetic grapheme-color association hidden behind the large individual variances (Simner et al, 2005). Another study showed that the initial letter of a color term tends to be associated with the “color” represented by the term. Other studies have shown that letters of higher frequency tend to be associated with synesthetic colors with longer wavelengths (Herman et al, 2013) or with higher saturation (Beeli et al, 2007; Kim and Kim, 2014)

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