Grammar, Prosody, and the Place of Accent in Elizabethan Criticism

Abstract

The Elizabethan poets and critics realized that the English verse line was neither merely syllabic (like French verse) nor quantitative (like Greek or Latin verse), but, they argued, governed by the regular disposition of accents. What seems obvious to us was not so to them. Accent did not belong to any metrical system known to sixteenth-century humanists; it pertained to the spoken pronunciation of the individual (Greek or Latin) word, and to the teaching of grammar, where it was known as prosody. The chapter outlines the place of accent in ancient and early modern grammatical theory before discussing George Gascoigne’s revolutionary theory of English metrical accent. It then looks at some subsequent developments in thinking about verse and accent in later sixteenth- and seventeenth-century writers and consider grammar as a neglected place of criticism.