GRAMMAR OF TIME IN UDMURT SOCREALISTIC POETRY: GAI SABITOV’s CREATIVITY

Abstract

This article discusses the individual structural-semantic, grammatical and stylistic peculiarities of the poetic texts of Gui Sabitov, who is one of the brightest representatives of the Udmurt socialist realism. Udmurt socrealistic idiostyles as a national-specific variant of this artistic method has never been the object of interpretation. The relevance of the study is dictated by the insufficiency of the linguistic and poetic approach in considering the phenomenon of development of Udmurt literature, the lack of scientific works focused both on the grammar of poetry and on the temporality category of the poetic whole, its artistic contexts. The article analyzes the multi-level relationship of the grammatical sphere and the artistic semantics of G. Sabitov’s texts, shows the interconversion of form and text content, linguistic elements, the ideological plan of expression and the individual author’s worldview. The novelty is the selection of the main grammatical and lexical segments of the lyrical translation of temporality, the identification of scenarios of individual author semantization of the present tense, the study of Gui Sabitov’s poetic corpus from the point of view of linguistic realities that are projected onto the Udmurt Soviet literature in general.