Abstract
This essay examines a period of crisis in the national penitentiary system in Honduras, during emergency campaigns designed to combat transnational gangs, called maras. Emergency laws led to the incarceration of mara members by the thousands, overcrowding prisons and overburdening their already precarious architecture and design. I explore the ideological and material ruins of incarceration, wherein irregular bodies of sovereign force (death squads legitimized by emergency) and new expressions of criminal community (maras) offer divergent incarnations of political power. The essay’s title phrase, “gothic sovereignty,” invokes this perennial reemergence of death squads from the crypts of state power and the criminal aesthetics cultivated within the prison itself, as the maras reclaim sovereign power at the scale of the community. After several massacres targeting mara members in state penitentiaries, the intensified decoration of gang members’ bodies with tattoos of devils, clowns, and satanic symbols thrust the grammar of protest in Honduran politics to a limit where the architecture of confinement became a laboratory for criminal affects and political horizons projecting beyond the sociopolitical dimensions of the nation-state in crisis.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
