Abstract
This article explores the place of fear in fascism ‐ the fear experienced by fascism, as found throughout Hitler’s writings and speeches, and the fear fascism fabricates in order to sustain itself. The article suggests that this fear overlaps and intersects with a shift in the culture of the Gothic in the late‐nineteenth century, such that fascism’s enemy comes to be interpellated as a truly monstrous figure. An exploration of the shifting place of the vampire in late‐nineteenth century Gothic culture creates the possibility of exploring the Gothic opening through which fascism came to both articulate its own fear and to generate a more widespread political fear and social insecurity.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
