Abstract

This essay considers the central role of gossip in Lord Jim (1902) as Joseph Conrad's response to the end of the ‘working age of global sail’ and the rise of modern professionalism in the first decades of the twentieth century. While several critical readings mention the presence of professional gossip in Conrad's fictions, this essay contends that his use of gossip in Lord Jim represents a significant engagement with questions regarding the function of orality in the modern novel. Lord Jim juxtaposes ‘idle’ talk with physical labour in depicting characters talking about professional-related matters rather than performing maritime labour. In the contrast between talk and toil, Conrad's novel asks: What is work? Lord Jim redefines the concept by showing that gossip is an essential speech mode for executing the necessary work of establishing and reinforcing professional identity. This novel complicates dominant cultural understandings of labour and communication at the century's start, at the same time destabilising categorical distinctions between oral storytelling and gossip. These subversions illuminate a number of ways in which the latter can be understood as a generative mode for narrating the experience of a world transformed by modernisation.

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