Abstract

This piece is dedicated to Felix Gonzalez-Torres, an inspiring artist and activist, who died of HIV-related complications in January 1996 during its editing.Loking back at the Stonewall 25 art season (loosely defined), two emblematic events stand out: Art in America's “After Stonewall” cover story in its June 1994 issue, and the In a Different Light exhibition at the University Art Museum in Berkeley, which opened seven months later. Both disturbed me deeply. Instead of the varied surveys they implied-the former of a quarter-century of gay and lesbian art, the latter of so-called queer sensibility in twentieth-century art-both virtually erased lesbian and gay art history of the seventies and early eighties. But the organizers of In a Different Light did far more than that. They not only passed up the opportunity to compile a much-needed historical record of lesbian and gay artists, but consciously rejected the notion of identity politics in favor of an amorphous notion of queer sensibility.

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call