Abstract

In the early 1920s, a young British woman visiting India met the man she would subsequently marry. As the woman's daughter later revealed, she and her companions “were just sitting down to dinner when he came in through the door and one of the bearers came forward to take his gun and clean it, but my father would have none of that. He always cleaned his own gun before he did anything else. This impressed my mother.” If the narrative halted here, the contemporary reader might construe the story as yet another example of traditional gender dynamics. The love-struck young woman admiringly observes the male imperialist's competent, professional handling of his firearm, symbol both of his mastery over the colonized Indian landscape and its people and of his masculine sexual prowess. In this instance, however, the young woman was no passively adoring female quivering before this symbolic display of male power and sexuality. She herself, as her daughter revealed, had been “brought up with guns” and was a “crack shot.” Her admiration for the man who would become her husband stemmed not from feelings of awe or feminine inadequacy but rather from her cool assessment that here was someone who was her equal—and could be her partner—in hunting, shooting, and handling of firearms. Indeed as their daughter recalled, the successful marriage between these two gun aficionados was based in part on the wife's participation in her husband's hunting duties as an officer in the Indian Forest Service.

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