Abstract
This paper focuses on the former Austrian crown land of Galicia and Lodomeria and its return in literary texts of a new generation that can recall it only from collective and family memory. Spaces like Galicia are situated in shifting political borders and often marked by (fragmented) memories connected to traumas caused by migration, forced resettlements, expulsions, or violence. The rediscovery of these spaces, often from nostalgia for a lost home and bygone times, is the starting point of many narratives of the postmemory generations in contemporary literature. Authors use new rhetorical strategies when dealing with adversarial nationalistic and traumatic topics: ironic nostalgia, gonzo, and magical realism. These narratives do not verify “truths,” instead they play with different myths, possibilities, and “alternative futures.” The analysis includes Tomasz Różycki’s Dwanaście stacji (2004), Sabrina Janesch’s Katzenberge (2010), and Ziemowit Szczerek’s Przyjdzie Mordor i nas zje (2013).
Highlights
Spaces situated in shifting political borders are marked by multicultural heritage and by memories connected to traumas from migration, forced resettlement, expulsion, or violence between neighbors, as well as different nationalistic instrumentalizations
This paper focuses on the former Austrian crown land of Galicia and Lodomeria and its return in literary texts of a new generation that can recall it only from collective and family memory
Spaces like Galicia are situated in shifting political borders and often marked by memories connected to traumas caused by migration, forced resettlements, expulsions, or violence
Summary
This paper focuses on the former Austrian crown land of Galicia and Lodomeria and its return in literary texts of a new generation that can recall it only from collective and family memory. Spaces like Galicia are situated in shifting political borders and often marked by (fragmented) memories connected to traumas caused by migration, forced resettlements, expulsions, or violence. The rediscovery of these spaces, often from nostalgia for a lost home and bygone times, is the starting point of many narratives of the postmemory generations in contemporary literature. Authors use new rhetorical strategies when dealing with adversarial nationalistic and traumatic topics: ironic nostalgia, gonzo, and magical realism. These narratives do not verify “truths,” instead they play with different myths, possibilities, and “alternative futures.”. Analiza dotyczy tekstów: Dwanaście stacji (2004) Tomasza Różyckiego, Katzenberge (2010) Sabriny Janesch i Przyjdzie Mordor i nas zje (2013) Ziemowita Szczerka
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