Abstract
Through a reading of some significant ottave from Gerusalemme liberata, this essay offers an interpretation of the character of Goffredo and of his role as leader of the Crusaders. An analysis is provided of his relationship both with the pagan king Aladino and with the circle of heroes inside the Christian camp, with special attention dedicated to those moments in which Goffredo’s command is questioned. This occurs in Canto IV with Estazio’s speech, as well as in Canto V with the serious infraction committed by Rinaldo. Following an analysis of the relationship between Goffredo and the pagan leader Solimano, the article suggests a possible Homeric model lying behind the episode in Canto XI, when Goffredo must face his opponents directly in the battlefield.
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